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	<title>Postscripts : Postgraduate Writing</title>
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		<title>International Reprints and Australian Writing</title>
		<link>http://www.artsnaked.com/postscripts/?p=305</link>
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		<pubDate>Fri, 12 Mar 2010 02:41:56 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Literature]]></category>
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		<description><![CDATA[One important item to come out of the recent controversial Productivity Commission report is the recommendation for revised statistics on the Australian book trade. This article reviews the reprinting of Australian writing around the world. ]]></description>
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		<title>Twitter and Oz Lit</title>
		<link>http://www.artsnaked.com/postscripts/?p=297</link>
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		<pubDate>Tue, 16 Feb 2010 01:23:56 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Literature]]></category>
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		<description><![CDATA[I don’t know diarist William Bunn personally but I know that on February 6 he was “Reading Sunshine and Snow” and that he had “read it nearly through”. You may wonder why someone would care what Bunn had on his bookshelves at the start of February, but Bunn felt it important enough to record this [...]]]></description>
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		<title>The Commitment to Nation in Literary History</title>
		<link>http://www.artsnaked.com/postscripts/?p=278</link>
		<comments>http://www.artsnaked.com/postscripts/?p=278#comments</comments>
		<pubDate>Mon, 11 Jan 2010 05:45:44 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nation]]></category>
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		<description><![CDATA[Embedded within any statistical analysis of Australian literature are definitional issues over the research sample.]]></description>
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		<title>The Smashed Apricot</title>
		<link>http://www.artsnaked.com/postscripts/?p=270</link>
		<comments>http://www.artsnaked.com/postscripts/?p=270#comments</comments>
		<pubDate>Wed, 25 Nov 2009 03:01:12 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Publication]]></category>
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		<description><![CDATA[The Smashed Apricot (Arts Naked Publications, 2009) contains 15 original cocktails, all of which have been tested, refined and enjoyed at many a family gathering. Each recipe has a photo of its contributor and an anecdote which provides some history, potency or suggested occasion for which the drink was made.]]></description>
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		<title>Editions from Elsewhere?</title>
		<link>http://www.artsnaked.com/postscripts/?p=260</link>
		<comments>http://www.artsnaked.com/postscripts/?p=260#comments</comments>
		<pubDate>Wed, 26 Aug 2009 03:33:19 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nation]]></category>
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		<description><![CDATA[For quite a while, I’ve been shaping up my response to the recent Productivity Commission Research Report ...]]></description>
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		<title>A Policy of Splendid Isolation</title>
		<link>http://www.artsnaked.com/postscripts/?p=255</link>
		<comments>http://www.artsnaked.com/postscripts/?p=255#comments</comments>
		<pubDate>Tue, 30 Jun 2009 02:58:18 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nation]]></category>
		<category><![CDATA[Text]]></category>
		<category><![CDATA[War]]></category>

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		<description><![CDATA[The tension between British and Australian publishers has long been a central thesis of antipodean print culture histories.]]></description>
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		<title>10,175 Australian Novels?</title>
		<link>http://www.artsnaked.com/postscripts/?p=249</link>
		<comments>http://www.artsnaked.com/postscripts/?p=249#comments</comments>
		<pubDate>Tue, 30 Jun 2009 02:30:37 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nation]]></category>
		<category><![CDATA[Text]]></category>

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		<description><![CDATA[Perhaps new empiricism, in its perceived relevance to Australian literature and the humanities in general, is a system of analysis that represents what Fredric Jameson lamented as the 'depthlessness' of postmodernism,  privileging the consumption of visual images over deeper, critical forms of thinking? ]]></description>
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		<title>Still Waters Run Deep</title>
		<link>http://www.artsnaked.com/postscripts/?p=238</link>
		<comments>http://www.artsnaked.com/postscripts/?p=238#comments</comments>
		<pubDate>Tue, 30 Jun 2009 02:11:15 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nation]]></category>
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		<description><![CDATA[The nature of this article is to question the basis for the Sydney- and Melbourne-centric view of Australian literary production ... but to do so from a regional state-by-state (and territory) statistical perspective.]]></description>
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		<title>Expended in An Hour, Gallipoli!</title>
		<link>http://www.artsnaked.com/postscripts/?p=210</link>
		<comments>http://www.artsnaked.com/postscripts/?p=210#comments</comments>
		<pubDate>Fri, 24 Apr 2009 12:17:07 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Nation]]></category>
		<category><![CDATA[Text]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://www.artsnaked.com/postscripts/?p=210</guid>
		<description><![CDATA[While Australians and New Zealanders acknowledge Anzac Day, it is important to look beyond modern perceptions and to review what our ancestors thought about the events which ultimately led to this national annual remembrance.]]></description>
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		<title>Neoliberalism</title>
		<link>http://www.artsnaked.com/postscripts/?p=170</link>
		<comments>http://www.artsnaked.com/postscripts/?p=170#comments</comments>
		<pubDate>Tue, 14 Apr 2009 14:55:27 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Asides]]></category>

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		<description><![CDATA[&#8220;[N]eoliberalism is simply an assertion that the unintended consequences obtained from the selfish acts of maximising individuals in the marketplace will produce the best outcome. [But] standing in the way of a society that democratically plans the satisfaction of human needs are the vested interests of those who profit from this circuit of capital.&#8221;  Adam [...]]]></description>
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		<title>Branding Life</title>
		<link>http://www.artsnaked.com/postscripts/?p=146</link>
		<comments>http://www.artsnaked.com/postscripts/?p=146#comments</comments>
		<pubDate>Tue, 14 Apr 2009 05:50:22 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Asides]]></category>

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		<description><![CDATA[&#8220;[T]he production and consumption of culture have become imbued with commercial values and marketing messages.  Brands have become the most powerful means of forming and spreading culture.&#8221;  Clive Hamilton in The Freedom Paradox, 2008.]]></description>
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		<title>The Appetite for Abstractions</title>
		<link>http://www.artsnaked.com/postscripts/?p=144</link>
		<comments>http://www.artsnaked.com/postscripts/?p=144#comments</comments>
		<pubDate>Tue, 14 Apr 2009 05:19:52 +0000</pubDate>
		<dc:creator>Jason Ensor</dc:creator>
				<category><![CDATA[Asides]]></category>

		<guid isPermaLink="false">http://www.artsnaked.com/postscripts/?p=144</guid>
		<description><![CDATA[&#8220;The logic of the consumption of culture militates against the maintenance of the deep coherence of religious and cultural traditions.  The vast appetite for things &#8230; requires that symbols, beliefs, and practices be removed from their original contexts.  Their retrieval enables them to live on, but they are enacted within a fundamentally different logic. &#8230; [...]]]></description>
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